Thibaut De Bondt

Thibaut De Bondt

Thibaut De Bondt

Thibaut De Bondt is a student at the Royal Conservatory of Antwerp (brass department).

His interest in music started early: at 6 years old he started his journey at the school for Music and Drama in Willebroek (Belgium). He used to play the cornet before switching over to baritone, the instrument that ultimately stole his heart.

He is currently working towards an Educational Master with a view to sharing his passion with others. He embraced teaching with as much love as he has for his instrument and is currently part of the staff at schools for Music and Drama in Willebroek, Brasschaat and Mortsel.

He joined Brassband Willebroek and made his way to the first baritone seat.

In 2022 he participated in the Gran Premio Povoletto where he secured second place and in 2023 he could proudly start calling himself the first place winner of the European Soloist Competition.

https://www.besson.com/artist/thibaut-de-bondt
https://www.deniswick.com/artist/thibaut-de-bondt

Baritone Horn

Wim After Hours

Knackered

Lament

Winds of change

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Other musicians with whom he plays

12. Knackered

A rather typical after work tune (the same chord sequence repeated 9 times!), but the instrumentation reflects the successive moods: Knackered in the sofa (dragging string quartet) A glimpse of recovery (add piano) Regaining energy (flute) Seeing the funny side of it (baritone) Remembering the drag ….. (violin) Calming down …. Reaching relaxation (guitars) Not forgetting the drag …. (Violin) Ultimate piece and joy

14. Lament

Not lamenting the death of a real person; Tim needed something for a film wherein the cast launched into a humming chorus after a character was shot; I sent him a rough draft, but Tim developed something better, so I could reclaim (and play with) my tune.

16. Winds of change

A song composed on a grand piano my wife Jackie gave me for my birthday. We wrote lyrics for it but here is just the instrumental version.

Antoine Préat

Born in Paris in 1997, Antoine Préat began learning the piano at the age of nine and made his debut a year later at the Salle Gaveau. After graduating with honours from the École normale de musique de Paris-Alfred-Cortot, where he studied with Ludmila Berlinskaya and Guigla Katsarava, Antoine Préat furthered his studies at the Royal Academy of Music under the tutelage of Tatiana Sarkissova and Christopher Elton, graduating with a Master of Arts DipRAM – the highest distinction offered by the institution – and the Bach Prize. Antoine was also fascinated by early music, and studied both harpsichord and fortepiano under the guidance of Carole Cerasi, and fortepiano with Andreas Staier and Tobias Koch in Poland.

Throughout his career, Antoine Préat has been fortunate to receive additional guidance from Philippe Cassard, Cédric Pescia, Boris Berman, Pascal Rogé, Alberta Alexandrescu, Robert Levin, Jerome Lowenthal, Richard Goode, Imogen Cooper and Stephen Hough. Antoine has been invited to perform in prestigious venues including the Wigmore Hall or the St John’s Smith Square in London, the Salle Gaveau, Salle Cortot and Petit Palais in Paris, or Fryderyk Chopin Institute in Warsaw, as well as festivals such as the Nohant Festival Chopin, Lisztomanias (Châteauroux), Chopin à Bagatelle, Nuits du Piano (Paris), IMS Open Chamber Music at Prussia Cove and Encuentro de Santander. He has appeared on BBC Radio 3, France Musique, Scala Radio and Musiq3.

Donnacorda (string quartet)

The Donnacorda string quartet saw the light of day in 2008 as a derivative from the Donnacorda string orchestra directed by Eva Vermeeren. The current members (Eva Vermeeren, Katrien De Bièvre, Liesbeth De Lombaert and Hans Van Daele) met in the former chamber orchestra “Beethoven Academie” and play together since 2017.
Collectively the members carry an education from the conservatories of Antwerp, Brussels, and the Leuven based Lemmensinstituut, in addition to renowned international schools such as the Peabody Conservatory of the Johns Hopkins University (Baltimore, US), Hogeschool voor de Kunsten (Utrecht) and the Koningin Elisabeth Kapel (Brussels).
The quartet mainly covers the classical repertoire, but they do not shy away from contemporary music.

Nadia Bierinckx

Nadia is a classically trained and very experienced flute player. With prizes and degrees from the conservatories of Brussels, Antwerp and Gent, she immerses herself in virtually any music style and delivers flawless lived through performances.
At a very young age she discovered the world of music and early on she was fascinated by recorders. She never lost her passion for them. She has played, and still plays, in many ensembles where she displays her virtuosity in a broad range of genres on the recorder, various types of tin whistles and the guitar.

Nathan Quirynen

Nathan Quirynen is an instrumentalist (violin) from Marche-En-Famenne (Belgium). He is mainly experienced in interdisciplinary projects, chamber music, choral music and symphonic music. He holds degrees from the Leuven based Lemmensinstituut and from the Antwerp Conservatory.

Thibaut De Bondt

Thibaut De Bondt is a student at the Royal Conservatory of Antwerp (brass department).

His interest in music started early: at 6 years old he started his journey at the school for Music and Drama in Willebroek (Belgium). He used to play the cornet before switching over to baritone, the instrument that ultimately stole his heart.

He is currently working towards an Educational Master with a view to sharing his passion with others. He embraced teaching with as much love as he has for his instrument and is currently part of the staff at schools for Music and Drama in Willebroek, Brasschaat and Mortsel.

He joined Brassband Willebroek and made his way to the first baritone seat.

In 2022 he participated in the Gran Premio Povoletto where he secured second place and in 2023 he could proudly start calling himself the first place winner of the European Soloist Competition.

Wim Hautekiet

During business hours, Wim is busy with lawyering (or related business roles).
After hours, he creates all sorts of melodies and arrangements, and has done this for ages.

Donnacorda (string quartet)

Donnacorda (string quartet)

The Donnacorda string quartet saw the light of day in 2008 as a derivative from  the Donnacorda string orchestra directed by Eva Vermeeren.  The current members (Eva Vermeeren, Katrien De Bièvre, Liesbeth De Lombaert and Hans Van Daele) met in the former chamber orchestra  “Beethoven Academie” and play together since 2017.

Collectively the members carry an education from the conservatories of Antwerp, Brussels, and the Leuven based Lemmensinstituut, in addition to renowned international schools such as the Peabody Conservatory of the Johns Hopkins University (Baltimore, US), Hogeschool voor de Kunsten (Utrecht) and the Koningin Elisabeth Kapel (Brussels).

The quartet mainly covers the classical repertoire, but they do not shy away from contemporary music.

https://evavermeeren.com/portfolio/donnacorda-strijkkwartet

  • Wim After Hours
    • Fugato : string quartet
    • Sand school : string quartet
    • Morning busyness : string quartet
    • World untouched : string quartet
    • Shifty look : string quartet
    • Knackered : string quartet

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Nadia Bierinckx

Nadia Bierinckx

Nadia is a classically trained and very experienced flute player.  With prizes and degrees from the conservatories of Brussels, Antwerp and Gent, she immerses herself in virtually any music style and delivers flawless lived through performances.

At a very young age she discovered the world of music and early on she was fascinated by recorders. She never lost her passion for them.  She has played, and still plays, in many ensembles where she displays her virtuosity in a broad range of genres on the recorder, various types of tin whistles and the guitar.

https://flutomanie.be/curriculum-nadia

  • Wim After Hours :
    • Far away : Tin whistle
    • Morning busyness : Recorders
    • Intermezzo: Vocals
    • World untouched : Recorders
    • Midnight Variation : Recorders
    • Knackered : Recorders
    • Lament : Vocals & Recorders
    • Winds of change : Recorders

Wim Hautekiet

Wim Hautekiet

Wim Hautekiet

During business hours, Wim is busy with lawyering (or related business roles).

After hours, he creates all sorts of melodies and arrangements, and has done this for ages.

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Post Cat

  • Wim After Hours:
    • Morning busyness : Guitar
    • Intermezzo : Vocals, Guitars and piano
    • World untouched : Folk guitar
    • Knackered : Guitars and piano
    • Lament : Vocals
    • Interludium in C Minor : Guitars and piano
    • Postludium from Greece : Just Wim

17. Postludium from Greece

Tobias spent 4 years in Greece and when he picks up the guitar you can hear that he loved the Athens Rebetika scene. He tells me that harmonies and counterpoint are not part of the genre. I still had a go. Tobias actually wrote lyrics for this (in Greek); we may record the full version soon…

16. Winds of change

A song composed on a grand piano my wife Jackie gave me for my birthday. We wrote lyrics for it but here is just the instrumental version.

15. Interludium in C minor

My son Niklas plays a lot of these energetic melodies on the piano. I asked him to finalise one of them, so I could add some bass and guitar.

14. Lament

Not lamenting the death of a real person; Tim needed something for a film wherein the cast launched into a humming chorus after a character was shot; I sent him a rough draft, but Tim developed something better, so I could reclaim (and play with) my tune.

13. Preludium: Don’t you know?

My son Tim asked me to write a violin accompaniment to one of his songs. So I produced this accompaniment (saluting JS Bach) to the chorus of the video song “Don’t you know?” (for the full version: google TimH Don’t You Know). There are 3 references to Bach, which I combined in one canon:
1 The art of fugue: opening theme
2 Mattheus passion: Kommt, Ihr Töchter
3 Brandenburg 3: first movement

12. Knackered

A rather typical after work tune (the same chord sequence repeated 9 times!), but the instrumentation reflects the successive moods:
Knackered in the sofa (dragging string quartet)
A glimpse of recovery (add piano)
Regaining energy (flute)
Seeing the funny side of it (baritone)
Remembering the drag ….. (violin)
Calming down ….
Reaching relaxation (guitars)
Not forgetting the drag …. (Violin)
Ultimate piece and joy

11. Shifty Look

Alex and I were colleagues in Luxembourg, and later in London where we shared a flat for a while, so we played and wrote a fair number of songs and instrumental pieces before and after work. We should record them all, but that’s for another day. Here’s one that refuses to leave my head.

10. Midnight Variation

This is a variation of a song Dirk and I wrote for a musical which never saw the light of day. The song “On voudrait vivre sans problèmes”, was in French chanson style, sung in close harmony, and for our musical we had several variations. This one in five fourths stuck in my mind, though I tried a new arrangement …

9. Alex’ Waltz

An extremely old one! One of the first tunes I developed on a piano. In 2018, I developed it with the help of Paul Mann for string orchestra (recording by the Ukraine Festival Orchestra available at Toccata Classics “Music for My Love” volume 2). Here is a short piano version from which it all started.

8. World Untouched

Another tune derived from an earlier song I wrote. The army of flutes played by Nadia and the guitar played by Andrey give it an unusual texture. The string quartet only comes in at the end, and I wanted it to sound as if they picked up a variation from the cellar.

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