Niklas Hautekiet

Niklas Hautekiet

Niklas Hautekiet

Niklas is my oldest son and loves playing music. Not sure whether he prefers the guitar or the piano. So glad he contributed one of his typical energetic piano pieces to this album. He didn’t seem to be too unhappy after I added guitar and bass.

When not playing music, Niklas is active (mainly in Belgium and The Netherlands) as a consultant in all sorts of complex matters relating to supply chains.

Tobias Hautekiet

Tobias Hautekiet

Tobias Hautekiet

Tobias is my youngest son and is equally addicted to music. He spent four years in Greece providing legal support to refugees. The piece he contributed to this album clearly shows the influence of long nights out in Athens. I think he was rather pleased on how his piece was arranged with counterpoint and harmony while preserving the essence of its mood. I think a full version with Greek lyrics is forthcoming …

In day-to-day life Tobias is a lawyer in the City of London, still focusing on immigration law.

Tim Hautekiet

Tim Hautekiet

Tim Hautekiet is a talented filmmaker known for his innovative storytelling and creative vision. He has made a significant impact in the world of short films and web series, captivating audiences with his unique style and compelling narratives.

Tim’s journey in filmmaking began with his YouTube channel, Tim H, where he gained popularity for his series “Evolution of Music.” His passion for storytelling led him to create the acclaimed web series “Project: Library” in 2013, which showcased his ability to blend humor and drama seamlessly.

Over the years, Tim has directed, written, and produced numerous projects, including “Me, Myself & the Void” (2023), “Serenade’s End,” and “Spark” (2016). His work has earned him several nominations and accolades, highlighting his talent and dedication to the craft.

Tim’s artistic perspective is evident in his ability to create visually stunning and emotionally resonant films. His commitment to pushing the boundaries of traditional storytelling has made him a respected figure in the filmmaking community.

With a background in both directing and writing, Tim Hautekiet continues to inspire and entertain audiences with his innovative approach to filmmaking. His work not only reflects his artistic vision but also his passion for creating meaningful and impactful stories.

For more information about Tim Hautekiet and his projects, you can visit : https://www.extraordinaryalienfilms.com

Dirk Schiltz

Dirk Schiltz

Dirk Schiltz

Dirk and I used to hang out in the same area near Antwerp when we were young lads, and we played in the same rock band, where he played the trumpet and was the singer (not simultaneously!). We enjoyed singing in close harmony, and we were certainly big fans of the French chanson style.

Occasionally we wrote songs together and one of these was called «On voudrait vivre sans problèmes». We used it in a musical (which was never produced) and wrote a large bunch of other pieces to accompany the story of a chap who wanted to sail through life without problems. One sequence of that musical had seven variations on the «On voudrait vivre» melody, and the Midnight Variation is one of those. It just refuses to leave my head ….

In the meantime, Dirk is retired but is still the driving force behind a charity that keeps the memory alive of some of his famous ancestors (Frans Mortelmans, the painter, and Lodewijk Mortelmans, the composer).

Wim Hautekiet

Wim Hautekiet

Wim Hautekiet

During business hours, Wim is busy with lawyering (or related business roles).

After hours, he creates all sorts of melodies and arrangements, and has done this for ages.

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  • Wim After Hours:
    • Morning busyness : Guitar
    • Intermezzo : Vocals, Guitars and piano
    • World untouched : Folk guitar
    • Knackered : Guitars and piano
    • Lament : Vocals
    • Interludium in C Minor : Guitars and piano
    • Postludium from Greece : Just Wim

17. Postludium from Greece

Tobias spent 4 years in Greece and when he picks up the guitar you can hear that he loved the Athens Rebetika scene. He tells me that harmonies and counterpoint are not part of the genre. I still had a go. Tobias actually wrote lyrics for this (in Greek); we may record the full version soon…

16. Winds of change

A song composed on a grand piano my wife Jackie gave me for my birthday. We wrote lyrics for it but here is just the instrumental version.

15. Interludium in C minor

My son Niklas plays a lot of these energetic melodies on the piano. I asked him to finalise one of them, so I could add some bass and guitar.

14. Lament

Not lamenting the death of a real person; Tim needed something for a film wherein the cast launched into a humming chorus after a character was shot; I sent him a rough draft, but Tim developed something better, so I could reclaim (and play with) my tune.

13. Preludium: Don’t you know?

My son Tim asked me to write a violin accompaniment to one of his songs. So I produced this accompaniment (saluting JS Bach) to the chorus of the video song “Don’t you know?” (for the full version: google TimH Don’t You Know). There are 3 references to Bach, which I combined in one canon:
1 The art of fugue: opening theme
2 Mattheus passion: Kommt, Ihr Töchter
3 Brandenburg 3: first movement

12. Knackered

A rather typical after work tune (the same chord sequence repeated 9 times!), but the instrumentation reflects the successive moods:
Knackered in the sofa (dragging string quartet)
A glimpse of recovery (add piano)
Regaining energy (flute)
Seeing the funny side of it (baritone)
Remembering the drag ….. (violin)
Calming down ….
Reaching relaxation (guitars)
Not forgetting the drag …. (Violin)
Ultimate piece and joy

11. Shifty Look

Alex and I were colleagues in Luxembourg, and later in London where we shared a flat for a while, so we played and wrote a fair number of songs and instrumental pieces before and after work. We should record them all, but that’s for another day. Here’s one that refuses to leave my head.

10. Midnight Variation

This is a variation of a song Dirk and I wrote for a musical which never saw the light of day. The song “On voudrait vivre sans problèmes”, was in French chanson style, sung in close harmony, and for our musical we had several variations. This one in five fourths stuck in my mind, though I tried a new arrangement …

9. Alex’ Waltz

An extremely old one! One of the first tunes I developed on a piano. In 2018, I developed it with the help of Paul Mann for string orchestra (recording by the Ukraine Festival Orchestra available at Toccata Classics “Music for My Love” volume 2). Here is a short piano version from which it all started.

8. World Untouched

Another tune derived from an earlier song I wrote. The army of flutes played by Nadia and the guitar played by Andrey give it an unusual texture. The string quartet only comes in at the end, and I wanted it to sound as if they picked up a variation from the cellar.

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